Tuesday, February 4, 2020

It's been a while but I just have to share this ...... Bali paper making


Whilst on a holiday in Bali last week I began to wonder if anyone there did paper making.  




After a lot of research I came up with only one place, Saraswati Papers.   It was started by an Australian, Kali Sali back in 1995 when she realized how much Bali was struggling with an ever growing pollution problem caused by a growing and modernizing society.  

Her goal is to reduce the amount of waste so her company collects and recycles papers from hotels, schools, businesses and homes.



 





As they don't use any bleaches or chemicals to whiten the finished papers the collected papers are then  cut so as to keep all the plain white pieces that haven't been printed on to use on their own and those with black and coloured printing are put together for a different type of paper.






The papers are boiled overnight in a large pot. 

I loved the Hindu blessing on the side of the stove.















Before being put into a  Hollander ) a large beater for paper pulp) to beat the pulp and the water together.




















The pulp is then ladled out and placed into a trough and mixed with more water.













The frame is scooped through the water until a fine layer of the paper clings to the mesh.
















The frame is then placed onto a board and the water from the sheet is squeezed out before the frame is lifted and the paper stays on the  boards.













This is repeated until the boards are full and then they're put out into the sun to dry.

















When dry the paper is pulled off the board and stacked ready for using.









Clean white paper.


The  Saraswati Papers centre is run by Balinese women from the villages as a way of teaching them paper making skills and giving them an income.

All their papers are 100%post consumer papers and is not only helping the local communities but also the environment as well.




Wednesday, May 1, 2019

Hanji Classes


Beginner Hanji Classes 


When:                  May 2nd - June 6th
                            10.30 am - 12.30pm

Where:                Station master's Art Gallery ' Red Hen' workshop
                           20 South Terrace, 
                           Strathalbyn, South Australia

Phone:               +61(08) 8536 4263

Level:                  Beginner -  Anyone can do it !!

Why?                  This is an opportunity to learn a traditional Korean Craft in a fun and     
                           interesting English environment and to take home some beautiful and   
                           practical pieces  that you've created. 









Tuesday, August 14, 2018

Paper Art - IAPMA COngress 2018 ...

'Paper art is a modern art bred by traditions and crafts related to paper and, as the newest area in contemporary art, it blends traditions and innovations, experiments and high achievements. It challenges world authors to create a new language of expression and new technologies that enrich contemporary art.'

Sofia Paper Art Fest




Several years ago during one of my many visits to Korea I was asked if I was a member of IAPMA.I had no idea what they were talking about and as such, I almost brushed it aside until one day I decided to do some research to find  out more about this paper association.  IAPMA stands for the International Association of Hand Paper Makers and Paper Artists and when checking out the website  I was intrigued by the  work that was done  by it's members.
In a nutshell this association is an International Community of paper artists who share a common love of making and working with paper.

Two years ago now, not long after joining IAPMA, I was fortunate enough to join my first  Paper Tour in France where we spent 10 days travelling around the French countryside visiting old Paper mills and seeing demonstrations of how paper use to be made using traditional Western methods, exploring UNESCO World Heritage sites and  visiting several French Artists' studios.  It was an amazing experience and one that allowed me to gain  a wealth of knowledge about paper and also just as importantly, where new friendships of like minded  artists were formed. 

This year was the biannual IAPMA Congress - 'Paper : Conscience and Consciousness' and it was to be held in Sofia, Bulgaria so with an already planned visit to Europe, I was  able to attend.   I signed up as a participant and went along ready to be immersed in more paper culture. The exhibitions I attended were way beyond my expectations in terms of scale, diversity and standards. Many of the Congress participants had their creative work on display and  I must admit that I was blown away by what I saw. To be immersed in a community of artists at this level was extremely humbling.


'Paper Obligato' (Collage of handmade banana paper, screen printed and stitched) 2017 - Heather Mathews, AUSTRALIA

'Dinner is served' (used tea bags), 2017 - Renate Schweizer, GERMANY



'Sunyata' (Platinum Palladium Print on Obara Washi Paper) 2017 - Reji Aoyama, JAPAN

The Girl of Healing Messages' (xerox transfer, paper thread crochetted and integrated to a joomchi treatment on washi), 2017 - Carolina Larrea, CHILE

'Earth Series III' (paper pulp, banana fibre), 2016 - Eliana Anghinah, BRAZIL

The Congress enabled me to reignite  friendships with  people I'd met on the Paper Tour in France and during meal breaks and discussion sessions I also made many new friends.  Everyone was so welcoming and I received numerous  invites to visit their homes and studios, not only in Europe but all over the world. I took some of them up on their offers during our trip around Europe and those time  turned out to be very special as it cemented our friendships even further and gave me a lot of inspiration for the future on my creative journey.

I've come back to Australia with my head  spinning with ideas of what I'd like to do as far as experimenting with paper in different ways and diversifying my style of work with the traditional Hanji paper I so enjoy. 

Tuesday, February 27, 2018

The 'Twists and turns' of creating .....

As much as we like to think we know what the future is going to hold for us and the creative directions we wish to take, it doesn't always turn out the way we'd like it too. Part of being creative is being open to taking new directions and being inspired by some unexpected things.  

Having moved into our little 1860s cottage 8 months ago now we've been  busy doing renovations to it and it has, for the majority of the time, been all absorbing and putting my Hanji work on hold.  The renovations are coming on nicely with many rooms now having been painted, woodwork restored, fireplaces repaired and a new kitchen installed. I have a lovely "Barn' where I can keep my Hanji  pieces, desk and a small work space but it's considerably smaller  than I've had in the past and  not big enough for having classes.  

My plan is for a much bigger Hanji studio to be built in a double garage at the end of our yard  latter this year and this will then accommodate a larger work space for myself and space for classes, storage of items and inspirational pieces.

I do miss my Hanji creating, teaching and students but for now I have to accept that they need to wait.
My first lead lighting piece
In the meantime I've taken up lead lighting as it takes up less space and I'm putting those skills to good use in the cottage. For my first piece I've been making a small window to be installed in my kitchen above the sink.  It's been an interesting process for me to go back to learning a new creative skill and realizing the frustrations involved in being a student once again as I've tried to get things to go perfectly. The lesson I've been reminded of is that when we strive for perfection,this only comes with experience. I'm not all that pleased with it when I look closely at my glass panel but when I stand back it's not too bad, and I have to remind myself that it's my first piece of lead lighting and we're always our harshest critics.

I'm looking forward to honing my skills as I do have plans for more windows to be made in the future.  I've really enjoyed this new medium of creativity where I've  been able to design, cut, and joined together glass instead of cardboard and paper and  realizing that the glass panel has a practically that many other art forms don't always achieve.

Not quite finished but testing it in the window.

Lead lighting is already making me look at ways in which  I'll be able to use this new found skill in my Hanji work in the future. It's teaching me to become a new student  going through the processes of basic learning, experiencing the frustrations of not achieving immediately whilst learning new skills and  in the long run, it should make me a better teacher.

The 'twists and turns' are taking bits of one art form and incorporating them into another art form until we end up with something that's unique to yourself and your experiences.

Isn't this what creativity is all about?


Thursday, January 4, 2018

I'm back ......



I'm back .......... Merry Christmas and a Happy 2018 to you all. 

I've taken a longer than expected break from doing Hanji and spent 2017 involved in family and household commitments but am now raring to get back into being creative once again and am committed to updating my blog more regularly this year. Last year  my main Hanji event was an exhibition called 'Dissolve' in Sydney at the Korean Cultural Centre where I was asked to take part in an exhibition along with 4 other Australian artists who have been influencd by Korean Culture.  (I'll write more about that in other post).

In the meantime keep checking back for more of my inspirations and creations for 2018 ....

Thursday, January 5, 2017

Hanji Filming Part 6 ....... Suji Kim

 Transformation, creation and longevity ......


Suji Kim
Suji Kim a beautiful, young Korean is a 'Linking Traditional Artist' who embodies a new generation of Koreans who are working with their age old traditions and bringing pieces of Hanji art into the 21st century.

Her background is in fine arts and her interest is in the symbolism of folk paintings which she reproduces onto Hanji


Traditional Korean folk paintings portrayed the simple lives of everyday people  and were far from sophisticated and yet the characters, animals, birds, flowers, nature and  seasons all had symbolic meanings. When adored on screens and as paintings on walls they created pleasant surroundings with constant reminders to their traditions and values. Korean Folk Art is a dying art form because the majority of modern Koreans, as is true all over the world, would rather have minimalist designs adoring their homes.

Suji Kim's interpretations of those paintings onto Hanji paper has won her accolades  and as a 30 something year old she is about to be recognized and awarded as the youngest Hanji Artist in Korea for her outstanding work and contributions to keeping Folk Art paintings alive.  She conducts art classes and has some very talented students that I was able to meet up with during my time in her studio.

Folk painting

She also makes both 2D and 3D Hanji pieces using traditional methods and  incorporates Jiseung, the art of twisting and weaving Hanji paper, using it to make objects, or as an embellishment on her pieces.
 
Painting on Hanji
Hanji using Jiseung techniques

During filming I met up with her at the Gahoe Museum in the Insadong district. Here she explained to me the symbolism and meanings behind some of the paintings on show and  we met up later in the week to work collaboratively on a piece of Hanji art that was to symbolize my journey around Korea during the filming of the documentary.

Autumn colour inspirations
Dyed papers - drawings by Suji Kim

Working on a 2D project was very different  and one that I found to be  quite challenging as I haven't done much work in this field and I didn't know what materials, tools and supplies were going to be available to me on the day.  It was all very daunting to say the least but I put my faith in the filming team that they would deliver what was needed when the time came, and they certainly did.

I'm use to working alone on my projects and I don't normally have a strict time frame but working alongside Suji Kim was a delight and consequently we thoroughly enjoyed the day together, chatting, laughing and exchanging our Hanji techniques. She even brought along some home made lamingtons, an Australian sweet, for us to share during our session of creativity and collaborationIt was the last thing I was expecting and I was delighted at her thoughtfulness.

Lamington

The art piece was to be a textured leaf that symbolized the season in and it was to be divided into segments representing a snapshot of different parts of my journey. From this idea made the leaf  and placed it onto dyed hanji paper with the outline and various segments divided up by pieces of Jiseung, which the whole film crew had a hand in making.  

Jin Hee Lim( Director/ Writer) and Yoo Jun Jae(Producer)

Art piece
For the background the colours were carefully chosen to be representative of two different thought processes.   All the papers used were those that I'd made on my journey and they'd been carefully dyed using herbs and bark
 
Firstly, we used  a deep mustard on the left representing the earth that's turn to gold during Autumn, a mottled yellow and blue in the centre representing  the changing of the seasons and a plain blue on the right to represent the sky.

Secondly, the colours represent Korea and Australia and the mottled centre paper indicates the collaboration of Korean and Australian ideas and techniques which all come together as a backdrop to the leaf.

I wanted to incorporate Korean traditional folk paintings  as well and this is where help from Suji Kim  and her beautifully detailed artwork became an integral part of this project as they merged beautifully with the organic sheets of handmade and hand dyed Hanji. 

I spoke to her about what I wanted and she quickly drew and painted some stunning symbols  to add to this creative endeavor.

Persimmons - transformation
 
On my journey I saw many persimmons,  or  “gam”, and this fruit is a Buddhist symbol of transformation. Before the persimmon is ripe, it’s green and very bitter. But, it changes its color to a vibrant orange and is very sweet when ripe. It is representative of the autumn season which runs from Sept. to early Dec. and they're plentiful during "Chucheok" Korean Ancestral thanks giving and harvest festivals. 

During my journey I was  taken to the Cheongdo Persimmon Wine Tunnel where an old disused train tunnel of about 1 km in length is now being used to produce and distribute Persimmon Wine. This is the first wine production of its kind in Korea and it's exported to countries all around the region and the world. 


I spent a very pleasant visit meeting the Managing Director of the Wine tunnel, Kap-Soo-Lee who showed me how they were using the persimmons to make this wine.  I must admit I don't think it'll replace my grape wine drinking but it is certainly different and definitely innovative and the taste obviously appeals to quite a wide audience. 

Maybe it's an acquired taste.

Water lilies - creation


Another thing that I loved about the Korean countryside, and wanted to incorporate into this project, were the beautiful water lilies(lotus) in the large ponds. Some of the leaves were turning up and changing colours which contrasted against the beautiful, almost perfect looking flowers.

The lotus flower symbolizes creation, birth, livability and reproduction and therefore it's one of the most  important symbols in both Korean culture and its traditional religions. 

In both Confucianism and Buddhism the lotus flower is seen as a symbol of honest poverty and virtue associated with an aloofness. Poverty and virtue come from the fact that lotus flowers grow in muddy and dirty waters and yet it still has such beauty. It makes no pretense of being better than it is and yet it's naturally beautiful.


Turtle - longevity

Finally there was the turtle which stood proudly looking across the pond at the traditional Korean home. In Korean symbolism  the dragon was considered the ruler of all animals but the turtle ruled over the insects and because turtles live longer than other animals, they symbolize longevity.  

The flat underside of the turtle represents the earth whilst the top represents the heaven. It is believed to unite heaven and earth. Turtle images often form the base of steles or monuments to famous people, especially Buddhism monks.

The turtle is widely used throughout China, Japan and Korea as a symbol of good fortune and longevity and a positive omen that will bring 10,000 years of happiness.  

I feel that this had to be an included symbol to round off this project.


Transformation, creation and longevity is what my journey and this collaborative piece is all about.  


This journey has altered my perceptions of what Hanji Art is and it's created many new and exciting ideas of what I want to achieve in the future. It's certainly transformed my thinking about my art on so many different levels through exposure during the filming of this documentary to a wide variety of  artists and places as well as giving me the opportunity to exchange knowledge at a practically, creative level. Through experiencing the work of Jang Ji Bang (Hanji paper maker), Jeong Hyun Ja (Natural dyeing expert), Jeong Yu Suk (Boudoir crafts), Young Dam (Hanji paper maker and artist) and Suji Kim I was able to put all those ideas together and produce a piece of 2D Hanji art through my new and shared knowledge. This experience and its influence will stay with me for many years to come. I'm not sure if it'll be 10,000 years but the representation is one that it'll last a lifetime.


It's an important piece that not only incorporates my journey and the Korean traditional values through symbolism but also the ability for two cultures to be able to truly appreciate, work with  and value one another through their creative spirits.

Tuesday, December 20, 2016

Merry Christmas and a Happy Hanji New Year ....

Well where has the year gone!!

 

I'd just like to wish you all a wonderfully blessed Christmas with your family and friends and a Happy and fabulous Hanji New Year in 2017.  At the beginning of this year I couldn't have dreamt that I would have had such a fabulous year of creating and spreading the word about my Hanji passion to others.

Sadly one of my dear hanji students, Necia Magain, passed away this year from an aggresive form of Cancer  but her spirit and love for all things paper continues to inspire me to make the most of every day that I have as life is so fragile and indeterminate.

Thank you  one and all for your continuing support  by your kind comments, as well as following my blog and Facebook page and I hope I've inspired you just a little to continue your creative passions whatever they may be.
 

It's been a while but I just have to share this ...... Bali paper making

Whilst on a holiday in Bali last week I began to wonder if anyone there did paper making.   After a lot of research I came u...